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Offenes Atelier I Katerina Belkina: RostockStipendium
Frühere exhibition
30 April 2025
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Karsten Meissner

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Open a larger version of the following image in a popup: Katerina Belkina, Greeting The Rising Star, 2022 Greeting The Rising Star, 2022
Open a larger version of the following image in a popup: Katerina Belkina, Greeting The Rising Star, 2022 Installation view
Open a larger version of the following image in a popup: Katerina Belkina, Greeting The Rising Star, 2022 Installation view
Open a larger version of the following image in a popup: Katerina Belkina, Greeting The Rising Star, 2022 Installation view

Katerina Belkina

Greeting The Rising Star, 2022
Photography, Digital Painting
Serie: For all mankind
artist label and signature on verso
180 x 156 cm,
70 7/8 x 61 3/8 inch
Edition of 3 plus 1 artist's proof
110 x 95 cm,
43 1/4 x 37 3/8 inch
Edition of 5 plus 2 artist's proofs
60 x 52 cm,
23 5/8 x 20 1/2 inch
Edition of 7 plus 2 artist's proofs
Anfragen
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Weitere Abbildungen

  • (View a larger image of thumbnail 1 ), currently selected., currently selected., currently selected. Katerina Belkina, Solaris, 2022
  • (View a larger image of thumbnail 2 ) Katerina Belkina, Solaris, 2022
  • (View a larger image of thumbnail 3 ) Katerina Belkina, Solaris, 2022
  • (View a larger image of thumbnail 4 ) Katerina Belkina, Solaris, 2022
An der Wand betrachten
Artwork concept: Greeting The Rising Star 2022 I wanted to convey the duality of the moment when something what awaits us tomorrow is unknown. It is like 'Tomorrow of Schrödinger'....
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Artwork concept: Greeting The Rising Star
2022

I wanted to convey the duality of the moment when something what awaits us tomorrow is unknown. It is like "Tomorrow of Schrödinger". The sun has not risen, and until we know it will bring us happiness and peace or it is the last day and something shocking must happen. I link my reflections to a quote from the film "Melancholy" Lars von Trier. But unlike the cinematic story, there is no precise pointing of upcoming events. The landscape in the background is actually a still life, taken from random household items: mirror, jagged paper, plastic container, marbles and night lamp.

Absolutely "earthly" household items turn to an alien landscape, if a figure is placed in the frame - she comes, sits and at that moment objects are scaled and become a place and a moment of time. When I was working on this story, I got the idea - we as humans want to be where we've never been. But I decided to highlight some hope for a better world on our own planet.
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